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A TEABAG ALIEN’S
CORNER SHOP

There are small artworks, big artworks and zines and risographs in this shop.

Please read the terms of sales which stipulates an experimental and environmentally friendlier way of shopping.
It will be linked again at checkout.

Small artworks

I tend to work in series
of unique artworks
about tomato plants, plastics
and concepts of reclaimation,
care and belonging
in a more-than-human world.

Small works are smaller than A4, the white space of each image is A4 size for visual reference. Dimention of work is measured to the nearest 0.5cm.

Aliens °° ( 2023 )

Collograph with chine colle
teabag, van beek 310gsm acid-free paper
14 x 19.5 cm

Aliens °°° ' ( 2023 )

Collograph with chine colle
teabag, van beek 310gsm acid-free paper
12.5 x 18 cm

Aliens °°°°° ( 2023 )

Collograph with chine colle
teabag, van beek 310gsm acid-free paper
14.5 x 16.5 cm

Aliens °°° ( 2023 )

Collograph with chine colle
teabag, van beek 310gsm acid-free paper
12.5 x 18 cm

Untitled ( 2023 )

Collograph with chine colle
artist-made paper, acid-free paper
19.5 x 14 cm

Untitled ( 2023 )

Collograph with chine colle
pastel paper, acid free paper
10.5 x 15 cm

Untitled ( 2023 )

Collograph with chine colle
pastel paper, acid free paper
7.5 x 10.5 cm

Untitled ( 2023 )

Collograph with chine colle
pastel paper, acid free paper
14.5 x 17.5 cm

Untitled ( 2023 )

Collograph with chine colle
pastel paper, fabiano 250gsm acid-free paper
16 x 15.5 cm

Untitled ( 2023 )

Collograph with chine colle
pastel paper, fabiano 250gsm acid-free paper
20 x 24 cm

Untitled ( 2023 )

Collograph with chine colle
pastel paper, fabiano 250gsm acid-free paper
13 x 26 cm

Untitled ( 2023 )

Collograph with chine colle
coloured paper, Khadi paper
15 x 15.5 cm

An Encounter ( 2023 )

Collograph with chine colle
artist-made paper, cotton paper, acid-free paper
17.5 x 11 cm

Big artworks

Big artworks are works that are not going to fit into a tote bag without rolling up. The white space of each image is 50 x 70 cm for visual reference. Dimention of work is measured to the nearest 0.5cm.

Uploading soon, need to work out how to photograph them...
Until then, you can come and see them in the studio.

Zines and Risographs

Sharing practices.

Waste | Materials

A visual essay sharing an experimental practice of care through working with unwanted plastic wastes from the everyday + includes a unique offcut of artwork.

Small batch risograph zine
2nd Edition, 2022
A6, 8 page - including covers.
Soy/rice-barn based ink printed on end-of-line paper.

Plastics,
the conditions we live.

A collection of images, drawings, poems and writings about plastic packaging beyond glorification and demonisation. A critical reflection from working with waste plastics as materials since 2021.

Handmade zine
1st Edition, 2024
A4, 28 pages, front to back
A mix of various reclaimed paper and photocopy paper with hand-writing and type-writing. Thread colour varies.

things,
Alien SSS --- DO.

A story about reclamation and belonging, to be continued.

Small batch risograph zine
1st Edition, 2024
6 x 7 cm, 18 pages including covers, opens up to a poster on the reverse side.
Soy/rice-barn based ink printed on cup-cycling paper.

Reclaimation -
methods for joining and repairability

A visual note from my journey on working with reclaimed wood. A commentary on the three ways of joining wood, categorised by ”technology” - using screws (mechanical fasteners), proper joinery (just wood) and glue (adhesives).

Small batch risograph zine
1st Edition, 2022
A6, 8 page - including covers.
Soy/rice-barn based ink printed on cup-cycling paper.

Studio ANDNAND is a participatory speculative design and art practice by Stephanie Pau, who is working on non-extractive alternatives to the status quo of strategic foresight and futures imagined in a more-than-human world. Works are related to, but not limited to, health and ecology - because the lived worlds are made of systems and entanglements, not silos.

COLLECTIVE IMAGINATION
The concepts we think with matter,
the people we think with matter,
the tools we think with matter.

Non-extractive, inclusive convening through methods and tools of participatory speculative design, design games and probes. Sometimes, inside an installation.

Facilitate collective futuring
e.g. Futures thinking workshops
Collectively make sense of each others’ worlds and re-imagine differently - online, offline or in hybrid workshops and, maybe, systems change.

Produce discourse
e.g. Sensory XD
A conference track and a catwalk show in a health innovation conference.

Example workshops

WORLDING WITH NON-HUMANS
Who counts in a more-than-human world?

Centering waste materials and
tomato plants
in a rhizomic,
meandering,
more-than-human research and practices.

Current lines of research through art: attuning with Tomato Plants; hearing plastics out; un-readymades.

Installation, printmaking
and durational performance

PETROLEUM-FREE PRINTMAKING

A TEABAG ALIEN’S CORNER SHOP

PUBLICATIONS

ABOUT

Studio ANDNAND
Stephanie Pau