Aliens (2023)
Installation; collographs
Original collographs made from and framed in packaging waste (plastics or plastic coated) from everyday grocery, also waste canvas frame.


Goedmorgan (2023) 
Installation
Ripped up original collograph using breakfast related packaging materials, framed in reclaimed plastic packaging and found (waste) canvas frame.


Nature is green (2023)
Collograph on magnani 300 archival paper
Reclaimed plastic packaging, acid-free archival paper, store-bought printmaking ink.


Four seasons(2023)
A series of collographs
Reclaimed plastic packaging, acid-free archival paper, store-bought printmaking ink.


The Scream (2023)
Collograph
Reclaimed plastic packaging, acid-free archival paper, store-bought printmaking ink.



Esoterraria-p (2022)
Installation; durational performance
1.5 years of plastic packaging waste from 1 domestic bin.


Portraits of Assemblage Creatures (2022)
A series of six collgraphs
Reclaimed plastic packaging, acid-free paper, printmaking ink; reclaimed wood, glue and nails (for frames).


Sustainability Bonsai (2023)
Sculpture
Reclaimed plastic packaging, reclaimed scaffolding boards, fallen twigs.


Studio ANDNAND is a participatory speculative design and art practice by Stephanie Pau, who is working on non-extractive alternatives to the status quo of strategic foresight and futures imagined in a more-than-human world. Works are related to, but not limited to, health and ecology.  

The lived worlds are made of systems and entanglements, not silos. So are my pratices.




 COLLECTIVE IMAGINATION
The concepts we think with matter,
the people we think with matter,
the tools we think with matter.

Non-extractive, inclusive convening through methods and tools of participatory speculative design, design games and probes. Sometimes, inside an installation.

 Facilitate collective futuring
    e.g. Futures thinking workshops
Collectively make sense of each others’ worlds and re-imagine differently - online, offline or in hybrid workshops and, maybe, systems change.

Produce discourse
    e.g. Sensory XD
A conference track and a catwalk show in a health innovation conference.

Example workshops  



 WORLDING WITH NON-HUMANS
Who counts in a more-than-human world?

  Centering waste materials and 
                        tomato plants 
in a rhizomic, 
  meandering, 
      more-than-human research and practices. 

Current lines of research through art-making: attuning with Tomato Plants; hearing plastics out; un-readymades.
 
Installation, printmaking
and durational performance


PETROLEUM-FREE PRINTMAKING
A TEABAG ALIEN’S
          CORNER SHOP

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Studio ANDNAND
Stephanie Pau